4T Virtual Conference on Digital Writing

The 4T Virtual Conference on Digital Writing will focus on the research, pedagogy, and tools of writing in digital spaces in the K-12 classroom.
Throughout the virtual sessions, participants will explore the complexities of teaching writing in a digital age in which students potentially play the role of writer, multimedia creator, collaborator, publisher, reader/viewer/audience member, and critic during their online engagement both during and outside of school.  This four-day event will also provide a space for dialogue between K-12 and university educators about the ways that the teaching of writing is enacted in schools, colleges, workplaces, and communities.Presenters will be educators from K-12 and higher education who have expertise to offer webinars virtually via Blackboard Collaborate.  All sessions will be recorded and archived for access by educators who can not attend synchronously.

4T Virtual Conference on Digital Writing

The 4T Virtual Conference on Digital Writing will focus on the research, pedagogy, and tools of writing in digital spaces in the K-12 classroom.
Throughout the virtual sessions, participants will explore the complexities of teaching writing in a digital age in which students potentially play the role of writer, multimedia creator, collaborator, publisher, reader/viewer/audience member, and critic during their online engagement both during and outside of school.  This four-day event will also provide a space for dialogue between K-12 and university educators about the ways that the teaching of writing is enacted in schools, colleges, workplaces, and communities.

Presenters will be educators from K-12 and higher education who have expertise to offer virtually via Blackboard Collaborate.  All sessions will be recorded and archived for access by educators who can not attend synchronously.

The Tumblr Experiment, part 1: Introduction

Literacy & Technology Notes from the Classroom Oakland Writing Project

485559165In an earlier post “I Am Not Your Audience,” I talked about moving students away from the idea that I’m the person for whom they write, as well as moving them away from thinking that the purpose of their writing is to “score points.” Neither is easy. Precious few people ever really talked to my students about an audience beyond the teacher, or a purpose for writing beyond getting a good grade.

They seem to function in this mode: “I’m the speaker. You, my teacher, are the audience and, of course, my purpose, the only purpose, is to please you and get a high grade.”

That’s what kids are used to because that’s what they’ve been taught. But this isn’t how writing works in the real world. Being able to write well often means being able to read an audience and tailor a message in ways that make it effective. I don’t think voice develops without an audience. And I don’t think it develops with a static audience.

In order to become successful writers, my students need to get more out of that rhetorical triangle–Audience, Speaker, Purpose.

rheotricaltriangle

So I need to find a place where they can experiment with a real audience. Enter Tumblr.com, a microblogging platform where my students and I have been experimenting with ways to bend that rhetorical triangle.

What happened when I found a place where my students could explore their interests and develop their authentic voices?  What happened when I set them free to write “like themselves,” to take risks and find a real audience…

They asked me how many points it’s worth.

In that first post, I promised to share what I learned–good and bad. In this series of posts, I’ll lay out my classes’ process and what I was hoping would happen–not always the same as what did happen–but if I’m going to move with my students into a place where expectations, audience and purpose are fluid, I have to be ready to adjust, and adjust we do. In fact, that ability to adjust, what people sometimes call rhetorical dexterity, is exactly what we’re after. In this series of posts, I’ll put our work out there for you to judge–not the students’ work, but whether or not this experiment is, if not working exactly, at least worth pursuing.

In addition to following these posts, I’m inviting anyone who wants to see the experiment in action to follow me on tumblr.com. Throughout the series, I’ll include the hashtags that we use to identify our posts. Hashtags are a way of identifying and grouping posts by subject. I try to make mine unique to my class so I use a prefix that identifies the class and year — aplang15 for my AP Language and Composition classes in 2015–and a suffix that connects to the assignment–art, workandplay, twain. The hashtag for the assignment on art is #aplang15art. It makes finding what I and my students are looking for on Tumblr easy.

So, have a look at what we’re up to. I’m not promising everything there is rhetorical gold or best practice or even “cutting edge,” just an experiment, a way to find out what me and my students think.

Find me on Tumblr here. To read the entries below, click to enlarge.

Screen shot 2015-01-19 at 12.28.24 PM

Screen shot 2015-01-19 at 12.29.42 PM Click to read

 

RICKRick Kreinbring teaches English at Avondale High School in Auburn Hills, Michigan. His current assignments include teaching AP Language and Composition and AP Literature and Composition. He is a member of a statewide research project through the Michigan Teachers as Researchers Collaborative partnered with the MSU Writing in Digital Environments Program, which concentrates on improving student writing and peer feedback. Rick has presented at the National Advanced Placement Convention and the National Council of Teachers of English Conference. He is in his twenty-third year of teaching and makes his home in Huntington Woods.

Digital Writer’s Notebooks?

Literacy & Technology Notes from the Classroom Oakland Writing Project

From my earlier blog posts, you know that I have a workshop classroom where the notebook rules all. Like many of you, every piece of paper I give students is taped into notebooks and meticulously labeled. The notebooks hold the intricacies of the strenuous work of writing and the empathy of reading. Each student’s notebook is their own. In their notebooks, students can be their very best and sometimes even their worst. They can be an artist. They can be an author. They can be an editor. They can be themselves.

And they are.

Notebook 3 Notebook 2 Notebook 1

But now our whole world, our 8th grade Language Arts world, our writing community, has a new resident that we are not sure about. This new resident has brought a change to our community that affects our very being. In a time of change, my personal belief is that writing is an excellent release and the consistency of a notebook is a place of comfort. Yet, this visitor doesn’t consistently allow us this comfort. My school implemented a 1:1 iPad program in grades 6-8 around Thanksgiving.

There is a definite air of excitement regarding this new device. Students are cautious, yet fearless. Teachers are careful, yet innovative. On the one hand, I am a tech-person who hopes to teach kids new thought processes not just new apps; on the other hand, I love the act of handwriting and the thinking that comes with that physical work. But these new devices cause me to question: Is the world of handwritten notebooks relevant anymore? What is the best use of iPads for notebook work? And finally, what does a transformative digital language arts workshop classroom look like?

What is the answer?

Unfortunately, I don’t have a definitive answer for the use of iPads on a daily basis for Language Arts instruction, but I will share with you some ways I have used them and what has come of their use in my classroom.

The school release of iPads goes hand-in-hand with our opportunity to be a Google School that uses Google Apps for Education. I’ve been an advocate for the use of Google apps in the classroom for many years now, so it was an easy decision to jumpstart of iPad use in the classroom by diving into Google Apps and programs before moving to other tools.  Each time I use technology with kids, I hope to increase their digital citizenship knowledge by introducing them to tools and ways of thinking that they can use outside of my classroom as well. Google Apps were a perfect place to start.

Tool: Google Classroom

Google-Classroom-Logo1This tool is exclusively available for Google Education users and manages class lists and links to student’s Google Drive accounts.

The advertised benefits:

  • Sharing digital documents with a whole class that puts copies into students’ Drive folders.
  • Class lists help the teacher manage students’ work submissions.
  • Discussion threads allow interaction between classmates and teacher.

How I planned to use it: To distribute daily tape-ins (handouts that students tape into their writer’s notebooks).

What I think: I think this is a good tool to use for students to turn in summative projects. It’s not effective for sharing out materials with kids because it creates a very messy Drive for teacher and students. Classroom also fails to provide the opportunity to teach digital citizenship skills or online organization.

What students think: Currently, there is confusion between using Classroom to search for assignments and our district mandated Moodle pages. Students feel that it is a bit time consuming.

Tool: Google Drive

DriveThis platform houses online documents that can be created, shared, and collaborated on.

The advertised benefits:

  • Never lose a document again and have access to all documents that you may need at your fingertips.
  • It also allows collaboration and unlimited sharing of documents.

How I planned to use it: After my experiences with Google Classroom, I transferred to sharing documents with kids via Drive. I taught them how to organize their Drive into folders and name documents.

What I think: This is a good platform to use to share documents with contacts. It is also relevant for teaching students how to organize digital work. However, if students want to write on a tape-in, like we have in our notebooks, they have to copy the text I share and create a new document. This allows them to edit the document.

What students think: Overall, they like the opportunity to have all their documents online. They are at a variety of places concerning this work. Some students are all online – using Drive for everyday work in Language Arts. Some students use tape-ins in notebooks and work online. Some are all hard copy notebooks. I allow students this variety and choice.

Tool: Evernote/Penultimate

penultimate_featureThis program’s purpose is online organization and notebook creation. Penultimate is an Evernote sister app which syncs data but also allows handwritten notes.

Advertised benefits:

  • Consistently syncs and backs up data, has several Google tie-in programs and a stylus appears like actual handwriting.

How I planned to use it: We could create digital notebooks much the same as our paper copies.

What I think: While not transformative, this app has potential as a digital writer’s notebook, but the program is rudimentary. It needs additional features like cropping pictures and more precise writing (even with the joint Stylus).

What students think: They would rather use their notebooks.

To learn more about handwritten digital writers notebooks with Penultimate, read this blog post by Two Writing Teachers.

Digital Notebook Page

a writer’s notebook page in Penultimate

Digital Notebook Page 2

 

In the end, I am playing with the programs and listening to my students, but I don’t have a definitive answer. Rather, I have a question for you: What do you think of writer’s notebooks in a digital world? And how are you handling them in your classroom?

pic 2Amy Gurney is an 8th grade Language Arts teacher for Bloomfield Hills School District. She was a facilitator for the release of the MAISA units of study. She has studied, researched, and practiced reading and writing workshop through Oakland Schools, The Teacher’s College, and action research projects. She earned a Bachelor of Science in Education at Central Michigan University and a Master’s in Educational Administration at Michigan State University.

Webinar – Mixing Sources, Amplifying Voices: Crafting Writing in an Information Age

Facilitator: Professor Troy Hicks, Central Michigan University
Tuesday, January 20, 2015 7-8pm EST (optional follow up discussion from 8-9pm)
recording     slides    wiki with resources

As the inputs continue to multiply, how can we help students find, evaluate, and synthesize information from a variety of sources? More importantly, how can we help them craft digital writing in effective ways, utilizing the information that they have found to develop multimedia texts? In this webinar, we will explore how purposeful digital writing — with a focus on mode, media, audience, purpose, and situation — can help your students frame their thinking and produce multimedia texts. Examples and resources will be shared, as well as an open Q&A about digital writing tools.

Troy Hicks, an associate professor at Central Michigan University, teaches pre-service writing methods classes and facilitates professional development on the teaching of writing, writing across the curriculum, and writing with technology. In his research, he collaborates with K-16 teachers and explores how they implement newer literacies in their classrooms.  He also serves as the Director of the Chippewa River Writing Project, a site of the National Writing Project at CMU. His publications include The Digital Writing Workshop (Heinemann, 2009) and Because Digital Writing Matters (Jossey-Bass, 2010).

Twitter ID: @hickstro

 

Webinar – Digital Technologies & Expectations for Writing in College

Facilitator: Professor Jeff Grabill, Michigan State University
Wednesday, December 3  7-8pm EST (optional follow up discussion from 8-9pm)
recording     slides

In this webinar, we will take a look at recent work on how college students use digital technologies for writing and provide an overview of common curricula and expectations for writing at most US colleges and universities. The result is a picture of interesting mismatches between use of technologies and expectations in writing classes and another set of interesting relationships between how many high schools are preparing students to write and what will be expected of them in college writing classrooms.

Jeff Grabill is a Professor of Rhetoric and Professional Writing and Chair of the Department of Writing, Rhetoric, and American Cultures at Michigan State University. He is  a senior researcher with WIDE Research (Writing in Digital Environments) and also a co-founder of Drawbridge Incorporated, an educational technology company. He studies how digital writing is associated with citizenship and learning. He has published two books on community literacy and articles in journals like College Composition and Communication, Technical Communication Quarterly, Computers and Composition, and English Education.

Twitter ID: @Grabill

Literacy Webinar Archive

Word Study, Vocabulary & Grammar: the Toughest Nuts to Crack Webinar Series 2016-17  

Thursday, October 27, 2016  7-8pm EST
Dr. Tim Shanahan, University of Illinois at Chicago
Complex Texts, Complex Sentences: Grammar and Comprehension in the Time of Common Core
slides


Thursday, November 17, 2016  7-8pm EST
Dr. Laura Tortorelli, Michigan State University
Words in the World: Transferring Word Study to Everyday Reading and Writing
slides and resources


Thursday, December 8, 2016  7-8pm EST
Dr. Jonathan Bush, Western Michigan University
Grammar in Theory; Grammar in Practice: Language Use in Culture, Society, and Our Classrooms
slides and resources


Tuesday, January 17, 2017  7-8pm EST
Dr. Laura Tortorelli, Michigan State University
Cracking the Code of Early Literacy: What Is Phonemic Awareness and Why Does it Matter?
slides and resources


Tuesday, February 7, 2017  7-8pm EST
Dr. Troy Hicks, Central Michigan University & Jeremy Hyler, Fulton Schools, MI
From Texting to Teaching: Teaching Grammar Beyond the Screen
slides and resources


Tuesday, March 28, 2017  7-8pm EST
Dr. Margaret McKeown, University of Pittsburgh
Cracking the Vocabulary Nut Requires Rich, Interactive Instruction
slides and resources


Thursday, April 20, 2017  7-8pm EST
Dr. Dianna Townsend, University of Nevada – Reno
Who Is Using the Vocabulary?: Engaging Students in Active Practice with New and Important Words
slides and resources


Tuesday, May 9, 2017  7-8pm EST
Sarah Brown Wessling, 2010 Teacher of the Year
Organically Integrating Vocabulary into the Secondary Classroom
slides and resources

 


Revision: the Heart of Writing Webinar Series 2015-16

Dr. Jennifer Fletchershutterstock_86277058
Revising Rhetorically: Re-seeing Writing through the Lens of Audience, Purpose, and Context
recommended reading: Teaching Arguments: Rhetorical Comprehension, Critique, & Response
resources and slides


Georgia Heard
The Revision Toolbox: Teaching Techniques that Work
recommended reading: The Revision Toolbox: Teaching Techniques that Work
resources


Marc Aronson
Revising Nonfiction: Dowsing for Depth
recommended reading: Sugar Changed the World: A Story of Magic, Spice, Slavery, Freedom, and Science
slides and resources


Dr. Troy Hicks
Revising Digital Writing
recommended reading: Crafting Digital Writing: Composing Texts Across Media & Genres
slides and resources


Dr. Nell Duke
Not Like Pulling Teeth: Revision in a Project-Based Context
recommended reading: Inside Information: Developing Powerful Readers and Writers of Informational Text Through Project-Based Instruction
more information 


Penny Kittle
Revision: the Heart of Writing
recommended reading: Write Beside Them: Risk, Voice, and Clarity in High School Writing
resources


Dr. Constance Weaver
Revising Sentences by Adding “Juicy Details”
recommended reading: Grammar to Enrich and Enhance Writing
resources