Learning from My Mistakes

Notes from the Classroom

One of the best parts of being a teacher is that I’m always learning. Every year, I learn more about pedagogy, reading, and writing, so I know with one hundred percent certainty that I am not the same teacher I was when I started. I love the learning process and I wouldn’t change it for a thing, but every once in a while I can’t help but think that if I could travel back in time, I’d love to share some much-needed guidance with myself as a first-year teacher.

1. Don’t Take Home So Much Grading

I’m surprised that that first year (and for many years afterward, actually), I didn’t drown in a sea of grading. I would usually grade the quick stuff first, and then I’d tackle the dreaded essays. And, oh, those essays. I would carefully read each one, correcting grammar and mechanics, and commenting on word choice, style, and content. Then, when I finally passed them back, I’d be so frustrated that my students barely looked at what I’d written. I tried different protocols for having students review their feedback and set goals, but ultimately it didn’t make much difference. So, the argument I’d make to myself back then: you should stop.

Now, stay with me here. I’m not advocating being lazy or leaving students’ work without feedback. Quite the opposite, actually. The students wouldn’t read my comments and feedback because it was too late. They’d already felt like they had finished the project and moved on to the next unit. All of that precious feedback just seemed like criticism. Now, I still give my students all of that good feedback, but I try to do more of it before they ever turn the final draft in.

This has been a huge shift in my mindset and my instructional planning. In the past, I would teach a series of lessons, which the students would practice through carefully crafted assignments (most of which I’d created). Once I felt they were ready, I would present them with the final project or essay. This model creates more problems than it solves, though. First, the lessons are disconnected from the ultimate goal, so it’s no surprise that the kids aren’t always very motivated. And second, I had double the grading: first the assignments for practice, then the essay that they completed at the end.

Now I try to frame our instruction around our end goal. We have plenty of time to work together in class, and the mini-lessons are grounded in doing that well. Students have the opportunity to apply these lessons and practice in class, which gives me a chance to read their work and give them feedback as they go. And the best part is that they’re actually using that feedback!

2. You Don’t Have to Be the Expert

Again, this sounds counterintuitive at first. You’re the teacher, and they’re the students.  Of course you’re going to be the “expert” in most regards, but as a Language Arts teacher, I took this to the extreme too often and, as a result, failed to use some great resources and opportunities.

I believe in writing with my students. I always have, and I probably always will. It’s important that my students see that I, too, am a writer and that we are all learning. I know the power of modeling the process, but in my first years as a teacher, I thought this meant that I always had to provide the models. Creating model writing for everyshutterstock_269516258 skill we learn? That’s exhausting – and unrealistic! If I want to enforce the idea that writers are always learning, why on Earth was I always expecting myself to write the “how-to” examples of “good” writing?

Now I know the value of mentor texts. I’m still writing alongside my students, and I still model the process, but now we pull our wisdom from great writers. When I need to teach a lesson on writing leads, instead of preparing a list of types of leads, then teaching them to my students one by one and modeling each one as we go, we study texts that we like. We pay attention to what hooks our attention and what doesn’t, and we use these texts as tools to teach us how to do it better.

So, if I could travel back in time, I’d never shortchange myself the opportunity to learn most things on my own, but I have to wonder where I’d be in my learning journey now if I had learned these two revelations a bit earlier.

MKortlandt2Megan Kortlandt (@megankortlandt) is a secondary ELA consultant and reading specialist for the Waterford School District. In the mornings, she teaches Language Arts at Durant High School, and in the afternoons, she works with all of Waterford’s middle and high school teachers and students in the Curriculum, Instruction, and Assessment department. Additionally, Megan works with Oakland Schools as an instructional coach for AARI. She has presented at various conferences including the Michigan Council for Teachers of English and Michigan Reading Association annual conferences.

Write. Revise. Read. Repeat.

Common Core Notes from the Classroom Oakland Writing Project

 

shutterstock_283334561When I think back about why I wanted to become a teacher, I remember an ambition I had to make a difference in the lives of others. A want to share my passion for the books that I loved. A desire to help people express themselves in new and powerful ways. These are ideals that I still hold after twelve years of teaching, amid different political landscapes and ever-changing initiatives.

So, when I asked our blog editor for some topics to write about, I was taken aback by one of his suggestions: Can beautiful (or good) writing be taught?

Of course! I immediately thought. What kind of a reading and writing workshop teacher would I be if I didn’t believe this, deep in my heart?

Practice and Feedback

“Practice does not make perfect. Only perfect practice makes perfect.”
– Vince Lombardi

I believe that the first thing you need to carve out and protect in your classroom is deliberate writing practice, coupled with feedback from an expert. An expert, as Penny Kittle reminds us, need only be a teacher who is a little bit better at writing than a student.

Logging practice time in writing is important and necessary for getting all of the ideas out, but it is only the first step; teachers are only as good as the feedback they give to student writers, and feedback in the moment of writing is always the gold standard.

Revision

“Throw up into your typewriter every morning. Clean up every noon.”
– Raymond Chandler

Teaching and encouraging revision are also necessary components to the writing classroom. Modeling revision in your own writing shows students how to mine their writing for rocks, and how to polish these rocks into gems.

Penny Kittle talks about taking photos of your writing work, which shows students the revision process in action. This also helps students to recognize that it is in small changes to our writing that we learn to get better.

Learning through Mimicry

“Imitation is the sincerest form of flattery.”
– Charles Caleb Colton

shutterstock_284746478Recognizing, naming, and even copying good writing are all important pieces in the quest to shape good writers.

Using mentor texts is one way to help students read like writers. Another way is to look at student writing samples, select the best as models, and then go through a process of naming what is good in that writing, as Ron Berger from Expeditionary Learning suggests.

A paramount exercise for any student is to notice an author’s craft and imitate good writers. This can mean inviting students to “copy change,” compose sentences, or keep a notebook of favorite lines from books they’ve read.

Practice, Practice, Practice

“The writer’s secret is not inspiration – for it is never clear where it comes from – it is his stubbornness, his patience.”
– Orhan Pamuk

Student writers need to realize that good writing comes less from talent and more from repeated practice. And teachers of writing need to remember that good writers can be guided with deliberate practice and teacher modeling.

 

IMG_3075Caroline Thompson (@TeacherThompson) taught middle school ELA for twelve years in Lake Orion before becoming a stay-at-home mom. She supports AARI teachers for Oakland Schools as an independent literacy consultant in the areas of digital media, professional development, and non-fiction resources. Caroline is a Reading and Writing Workshop advocate, a 2008 Oakland Writing Project Teacher Consultant, and a 2009 Oakland County Outstanding Teacher of the Year Nominee. She has a BA in English from Michigan State University and a Masters in the Art of Teaching Reading from Oakland University.  She lives in Berkley with her husband and their two year old daughter.