Writing Pathways Assessment (Grades 3-5), Day 1 of 2

This two day series introduces teachers to Lucy Calkins’ book, Writing Pathways, Grades 3-5 Performance Assessments and Learning Progressions. “Designed as an instructional tool, Writing Pathways will help you provide your students with continuous progressions for opinion/argument, information, and narrative writing, this practical guide includes performance assessments, student checklists, rubrics, and leveled writing exemplars that help you (and your students) evaluate their work and establish where they are at in their writing development.”

Presenters: Michele Farah, Ph.D and Sandy Biondo, Ph.D

Writing Pathways Assessment (Grades 3-5), Day 2 of 2

This two day series introduces teachers to Lucy Calkins’ book, Writing Pathways, Grades 3-5 Performance Assessments and Learning Progressions. “Designed as an instructional tool, Writing Pathways will help you provide your students with continuous progressions for opinion/argument, information, and narrative writing, this practical guide includes performance assessments, student checklists, rubrics, and leveled writing exemplars that help you (and your students) evaluate their work and establish where they are at in their writing development.”

Presenters: Michele Farah, Ph.D and Sandy Biondo, Ph.D

Writing Pathways Assessment (Grades K-2), Day 1 of 2

This two day series introduces teachers to Lucy Calkins’  book, Writing Pathways, Grades K-2 Performance Assessments and Learning Progressions. “Designed as an instructional tool, Writing Pathways will help you provide your students with continuous progressions for opinion/argument, information, and narrative writing, this practical guide includes performance assessments, student checklists, rubrics, and leveled writing exemplars that help you (and your students) evaluate their work and establish where they are at in their writing development.”

Presenters: Michele Farah, Ph.D and Sandy Biondo, Ph.D

Writing Pathways Assessment (Grades 3-5), Day 2 of 2

This two day series introduces teachers to Lucy Calkins’ new book, Writing Pathways, Grades 3-5 Performance Assessments and Learning Progressions. “Designed as an instructional tool, Writing Pathways will help you provide your students with continuous progressions for opinion/argument, information, and narrative writing, this practical guide includes performance assessments, student checklists, rubrics, and leveled writing exemplars that help you (and your students) evaluate their work and establish where they are at in their writing development.”

The Writing Pathways Assessment Book will be released October 30, 2014 by Heineman. Supplemental materials will be provided to assist teachers until the formal release in October. 

Presenters: Michele Farah, Ph.D and Sandy Biondo, Ph.D

The Tumblr Experiment, part 2: First Steps in the Digital World

Literacy & Technology Notes from the Classroom Oakland Writing Project

Read The Tumblr Experiment, part 1: Introduction

Hashtag-620x350 2The blogging universe is huge and can feel overwhelming, so my students’ first challenge was to carve out a bit of it for our own community. Our first assignment was to create blogs and find each other. Enter the hashtag. Students know how to use hashtags to organize their posts or tweets around topics, so I use them with Tumblr as well. Our first one is aplang15hello. Hashtags are a great way to tame the vastness of the blogosphere, but I need something that’s easy to identify and stands out. The first part identifies the class and the second part, after the 15, is the subject. This is our way to “find” each other. We search for the unique hashtag which leads us to each others’ blogs. Then it’s a simple click on the “Follow” button and, hello audience.

This first project, High Art, grew out of my frustration with the kinds of essays I typically assigned. I asked students to evaluate and make a case for a novel that they liked to be placed in our curriculum. As a writing assignment it was ok (zzzz), but the products lacked passion and voice. Students didn’t really care about novels or my opinion of novels, so they didn’t really care about the writing. My problem was that I didn’t know what they were passionate about and didn’t have a good way to find out.

birds-art-wordI also came up against the audience problem. Having their teacher as audience/evaluator/giver of points meant they wrote safe and “schooly”–their word–rather than honestly. I didn’t want safe writing. I wanted them to take chances, fail sometimes, learn and then come back again.

When I started to flirt with the idea of using Tumblr blogs in class, I lurked around in the space watching for and thinking about the kinds of writing I wanted my students to try, and I kept coming back to the idea of voice–authentic, honest and passionate. That voice, it seemed to me, was often found around subjects that the the writers were passionate about–music, movies, television shows, pop culture–sure, but still culture. And tucked in there among the pop culture were a lot of other things too–art things like body art and anime and illustrations. Art? Could I ask them to write about art? Why not?

It’s subjective. No one I was reading seemed able to clearly define it, but most of the writers seemed passionate that what they liked was most definitely Art. We were writing about novels, and it’s not much of a pivot from writing an argument about books to writing an argument about art. So, art it was. We looked at some examples of “high” and “low” art and  culture, talked about criteria and evaluation and then jumped in.  For their first assignment, I ask for students’ definition of art. I know. That’s daunting and very subjective, but for those very reasons it seemed like a logical starting point. It’s a challenging topic, but you can’t really get it “wrong.” And it’s a good way for students to introduce their “honest yet academic” selves. (More on this self idea in an upcoming post on Speaker–Who are you? Who do do want to be?)

Screen shot 2015-01-19 at 11.30.09 AMThis image shows some of our initial forays on to the Tumblr microblogging platform. Tumblr microblogs typically offer shorter content than blogs, another aspect that drew me to it. It’s less daunting than the essay-like blog but more demanding that something like Twitter.

Students did pretty well once we got past the challenges. I always have to remind myself that just because my students are digital natives doesn’t mean that they are all good at technology. I had to work through issues of sign ups, access (my district, like many others, tends to be squeamish when it comes to anything that smells even remotely like social networking sites, so firewalls and filters are a constant challenge), how to “find” each other and the blogs we want to follow, commenting, and reblogging. There’s always something. My response is to remain calm and find a workaround. Eventually it all worked out, and we managed to create some content. It was mostly in the form of reblogging–repeating something interesting that you found on someone else’s blog–and then adding to the discussion with some original writing.

The students would mine the blogs they followed for content that they could write about and reblog under a our class hashtag–things they were genuinely interested in. Using the class hashtag meant it would show up in the feeds of their classmates. If they picked the right content and presented it well, they’d get a response for another classmate. If they didn’t, they wouldn’t.

tumblrwordcloudIt’s here where our discussion about audience starts to bear out. What kind of writing attracts and holds our attention? Tumblr is an image rich environment with most users simply scrolling through until something catches their attention. The question for writers becomes: how do we compete for that attention?

The images blur by, but my students agree that it’s often the writing that “sticks.” So how do we get “sticky?” I assign (compel?) my students to, in addition to writing their own content, reblog and comment on a certain number of their classmates’ posts. Making this an assignment is cheating because we’re not really creating any original content–more like offering opinions and observations–but it’s a good way to join the Tumblr discussion. It does require student bloggers to look at each others’ writing, but the challenge to attract attention, create a buzz, get sticky, is still with the writer. How do writers attract attention? What kinds of writing stick to a reader’s attention? Usually I’d approach these questions by assigning an essay and we’d start to close read and analyze it. Now the students’ work is where we start. I look through their work for what I call “good exchanges.”

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A “Good Exchange” showing a couple of students engaged in exchanging views over an idea about art.

The image at the right shows what a good exchange on Tumblr might look like. The original writer reblogged and wrote about something in a way that provoked his audience–his classmates–to “like,” “reblog,” and then respond. I’ll project this on the board and then we’ll talk about how and why the writing works. We give feedback and talk about the choices the writers made and how they worked. For me, this is a goldmine of teachable moments. I can talk directly to the intended audience because they’re sitting in the same room next to the writer who I can ask to talk about the choices she made and what her purpose was. We still close read professional writers, still look to the masters for guidance and models, but now I have another set of models, another set of writers. These writers are us. We’re not simply studying writing; we are writing, and about things we’re passionate about, just like Swift and Orwell and Wolff–all of whomI think would be terrific bloggers.

The Tumblr experiment is underway and most of the tech issues are solved. So where do we go next? It’s engaging and fun. My students like the attention, and I like having all of this material to use in my teaching but, they still ask me what it’s worth.

“Hey, um, Mr. Kreinbring-kreinbring65- or whatever we’re supposed to call you, points, how many are we getting for all this writing? Sure, it’s more engaging and all that but, you know, what’s my grade?”

They still ask that. They still have a hard time seeing past grades and points as the reason to do all of this writing. It’s not a question I like, but it is valid. How am I, their teacher, (and they still see me a that way, not as a fellow blogger) using all of this work to evaluate them? How am I rewarding good work and encouraging others to work harder at this?

I honestly do not know…yet.

I do know that my goal is to get students thinking of themselves as writers, as part of a community that skillfully uses words and images to explore ideas that matter to them, but they’re worried about their grades. Frustrating as it is I understand this, but we are moving in the right direction because they’re primarily looking more at one another as the audience and second at me as  the “evaluator.” I see them engaging with each other but with an awareness of me. I don’t know if I’ll be able to completely move them from thinking of themselves as members of a class  with the goal of getting a good grade to members of a community of writers with the goal of becoming better writers but this experiment; this feels like a first step in right direction.

RICKRick Kreinbring teaches English at Avondale High School in Auburn Hills, Michigan. His current assignments include teaching AP Language and Composition and AP Literature and Composition. He is a member of a statewide research project through the Michigan Teachers as Researchers Collaborative partnered with the MSU Writing in Digital Environments Program, which concentrates on improving student writing and peer feedback. Rick has presented at the National Advanced Placement Convention and the National Council of Teachers of English Conference. He is in his twenty-third year of teaching and makes his home in Huntington Woods.

Student Blogs: Audience Matters

Literacy & Technology Notes from the Classroom

sliceoflife 228 weeks. When I hear this I think of being just more than halfway through a pregnancy. While I am not having a baby, I am witnessing the growth and development of my classroom of writers. According to my teacher blog, I have assigned 19 posts, not counting the daily expectation for this month. We have been blogging weekly since the school year began. I started this process mainly as preparation for the Two Writing Teachers Classroom Slice of Life Story Challenge, but quickly realized it was an invaluable portfolio of my students’ writing progress across the course of a school year. Some students have worked hard to meet the challenge of each week’s post, while others have given minimum effort. All of that has changed this month.

A New Perspective

Enter March. I’ve booked technology for the entire month so that we can blog every day for the Slice of Life Story Challenge as well as publish websites for our informational reading and writing units of study. We blog within the Classroom Challenge, with the understanding that other teachers and students will leave feedback for us, and we will do the same for them. As my students began to read the writing of other students, they quickly noticed all of the things that I have been harping on all year long: lack of capital letters, missing punctuation, and misspelled words. Most importantly, they finally saw how these things interfere with meaning. This wasn’t the high point though; that came when the comments began rolling in.

“I got a comment!” a voice squealed from the other side of the room.

“Of course you did,” I joked, “I’ve been commenting on your writing all year.”

“No, not from you, Mrs. Rogers,” she replied. “I got a real comment.”

While I pretended to be crestfallen, inside I was throwing a fist into the air. Similar exclamations were heard around the room and, suddenly, there was an air of excitement for writing. Students were spontaneously asking their literacy partners to check their writing. They cared about what they were producing like never before.

Not All Sunshine and Roses

481399781 (1)Does this mean that all of my students are suddenly writing beautiful blog posts, with wonderful spelling and grammar? Nope. In fact, there are some downright cringe-worthy pieces of writing on our class pages. But they are excited, they want to write, and they are paying more attention. When we give comments, I tell my students to tell the writer specifically what they have done well. My hope is that they will begin to transfer some of this attention to their own work. In small increments, I am seeing evidence of this. I only have to scroll back to September to see the growth right in front of me. I also set out Chromebooks at conferences so parents can peruse their child’s blog while they wait. This is very informative and often makes conversations easier.

As I prepare report cards for conferences tomorrow, I realize that the end of the school year is looming large. How can I best leverage the writing work that my students have done to maximize their growth? I’m thinking of having them revisit an old piece and revise it to show what they have learned, perhaps even writing a reflection about the revision. Maybe I’ll choose the piece, maybe I’ll let them – I haven’t decided. I do know that as I think ahead to next year (crazy, but I do this!), I will have my students blog weekly. There is so much value in this practice. Now that I have seen the dramatic shift when there is an audience, I know that I need to give them one before March. The question is, “how?” The answer…I don’t know…yet.

Beth Rogers is a fifth grade teacher for Clarkston Community Schools, where she has been teaching full time since 2006.  She is  blessed to teach Language Arts and Social Studies for her class and her teaching partner’s class, while her partner  teaches all of their math and science. This enables them  to focus on their passions and do the best they can for kids. Beth was chosen as Teacher of the Year for 2013-2014 in her district. She earned a B.S. in Education at Kent State University and a Master’s in Educational Technology at Michigan State University. 

 

Google Classroom, Part 2: The Digital Writer’s Notebook

Notes from the Classroom Oakland Writing Project

Note: In “Google Classroom, Part 1: Going Paperless,” I wrote about the change to a (mostly) paperless classroom once my district went 1:1 with Chromebooks and I started using Google Classroom.  In this entry, I discuss how I am grappling with no longer using a traditional, paper writer’s notebook.

471520595The writer’s notebook is almost a sacred, mythical element of the writer’s workshop.  It is where students’ writing lives take shape and are documented over the course of a year.  In my classroom, the writer’s notebook held everything, and I mean EVERYTHING.  Any paper I handed out was immediately taped or glued into the notebook, even if it had to be turned on its side or folded over two times.  The writer’s notebook was our textbook. So when I heard each one of my students would be getting a Chromebook, I was excited about the possibilities and what that could mean for student writing.  But what nagged at me was the loss of the traditional, tangible writer’s notebook.

I spent the summer asking other ELA teachers how they planned to use Chromebooks in conjunction with their traditional notebooks and searching the web to see what other teachers of reading and writing were doing.  Nothing that I found was exactly what I was hoping to find.  I wanted to see or read about someone who fully transitioned their students to a digital writer’s notebook, but I just couldn’t find what I thought would suit my and my students’ needs.  I really didn’t want to start the year having kids split between the traditional notebook and their Chromebooks, but I wasn’t sure what else to do.

But we did start the year just like that: split between the two worlds.  I was afraid kids would feel really disorganized (maybe I was afraid I would be the one to feel disorganized!), but they seemed to take it in stride.  As I started using Google Classroom daily to assign work and give students copies of documents, I found myself thinking less and less about the traditional writer’s notebook, and not because I was actively trying to stop using it.  It was almost an unconscious decision to stop using the hard copy notebook.  I didn’t intentionally mean for it to happen; it just kind of did, and everything was OK.  Kids didn’t stop brainstorming or drafting or collaborating.  They were still doing those things, but in a different way, maybe a better way, and in a way that possibly felt more natural to them. 

164404249Instead of kids bringing their notebooks to one another and reluctantly allowing a partner to write on their prized draft, kids are sharing documents with one another and setting the editing level based on their comfort, with many choosing to only allow their partners to comment on a document.  They no longer have to worry that someone is going to “mess up” their paper.  They can simply focus on the comments, and especially relish hitting the “Resolve” button when they have revised something.  I think it’s more than just reading the comments and making changes, though; kids are having conversations via their comments about writing as well as having conversations about their writing out loud.  The conversations about writing are multilayered.  If you’ve ever seen a teen text and talk to someone at the same time, you know that holding multiple conversations on various platforms is a way of life.  And students also seem to be more responsive to my suggestions because my comments don’t physically change their writing; they are seen as just that: comments and suggestions.  

We recently held a parent workshop about using the Chromebooks, and the parents commented about how writing and taking notes electronically felt unnatural to them, but to our students it feels natural because this is how they have grown up. Despite the successes we’ve had in moving much of our work to Google Classroom, I still worry sometimes if I will suddenly feel the loss of the traditional writer’s notebook in a way that I can’t fathom right now.  I wonder if there will be some intangible loss in not being able to turn the pages of a notebook and see the progression of a writer. I wonder if students’ thinking will become too discrete and disjointed because the flow from idea to idea and unit to unit is lost.

185432726I had toyed with the idea of having students use a single, running Google Doc to keep a notebook, but that doesn’t work as easily as a traditional notebook does, especially when using Google Classroom, because some of the documents would be in Classroom and some would be in the running Google Doc.  I thought toggling between the two would be difficult.  Obviously, no single platform seems to be perfect (it’s unlikely that anything will ever meet every need/want). Despite the misgivings I may have, my students do not seem to be having the same internal struggles that I am having.  Using their Chromebooks has quickly become second nature, with the biggest complaint being that the WiFi isn’t working quickly enough!

JScreenshot 2014-09-26 at 12.44.07 PMianna Taylor is an ELA and Title 1 teacher at Orchard Lake Middle School in West Bloomfield.  She is a member of the AVID Site Team and Continuous School Improvement Team at her school, among other things.  She is also a MiELA Network Summer Institute facilitator and member of the OWP Core Leadership Team.  Jianna earned her bachelor’s degree from Oakland University and her master’s degree from the University of Michigan.  She also writes reviews of children’s books and young adult novels for the magazine Library Media Connection.

The Power of Teachers’ Words

Notes from the Classroom Oakland Writing Project

459418871We’ve reached the point in my 8th grade classroom where we’ve modeled, practiced, and established norms that we can use in our workshop classroom. Additionally, I have also conferenced with each student to give them a next step as they continue their reading and writing work. This, however, is not a blog post about effective conferencing, rather it’s about what I’ve learned from conferencing with a particular student. This experience leaves me wondering whether we, as teachers, always realize the effects we have on students?

Kyle sat down to conference with me about his writing. He particularly wanted to discuss one of his poems from the 8th grade CCSS/MAISA Launching Writer’s Workshop unit that focuses on narrative poetry. Anxiety radiated off of him as he explained that he had written nothing that he felt was valuable. With his permission, I looked at his writer’s notebook, and a theme became clear in his writing. He was writing what he thought I wanted. His notebook had seed ideas that mirrored my own modeled topics as well as imitations that stayed in the structure and topic of the original text. I praised Kyle for all of his good work in practicing all of our new class skills. Then, I broke down his next steps for him.

It was apparent that Kyle needed smaller steps than even the workshop curriculum daily sessions offered. So we began with: what story do you want to tell? And later, we discussed: what will be the beginning, middle, and end of that story? Then he was able to write a narrative poem draft. After peer review, he came to me and said that he thought his poem was too long (about 3 handwritten pages). So, again, step-by-step we worked on his poem with ideas like cutting out any repeating words or phrases and details that did not suit his beginning, middle, and end planning. The next day, he came running in to show me that he had cut his poem down to about one page, and he was very happy to tell me that this draft was much better than the previous one.

78745133Amidst these in-class conferences with Kyle, I met Kyle’s mom. She shared a story with me about a 3rd grade teacher who told Kyle that he was not a writer. While I’m not writing this post to place blame, I see that when Kyle sits down to write, he does so with doubt. This doubt may have come from the seed planted by that teacher, but it probably also came from many other writing experiences that perhaps didn’t go as Kyle had hoped. In the end, Kyle had a very successful first writing unit in my classroom, and I hope that he’ll continue to feel excited about writing as we get into argument and informative writing. But this whole episode left me wondering–what effects do we, as teachers, have on students?

This experience with Kyle reminded me of a particularly bad writing experience I had with a college English professor my first semester. The short version is that he told me I couldn’t write and that I could not major in English. This negative experience my first semester was coupled with an excellent grade on a paper in a class taught by a published author. He told me that I had wonderful written ideas and a great depth of thought. I later worked for this professor and even helped him review one of his manuscripts for publication. I am thankful today that these experiences happened in the same semester because I’m not sure I could have moved past the negative professor’s comments. Instead, I decided to work to become a stronger writer. While this work is never over, I feel that I have become a strong writer. I also hope that I’ve given my students the confidence to be successful, independent writers. So, each day I have to consider that the things we say to our students affect them. What conversations will you have with students today?

pic 2Amy Gurney is an 8th grade Language Arts teacher for Bloomfield Hills School District. She was a facilitator for the release of the MAISA units of study. She has studied, researched, and practiced reading and writing workshop through Oakland Schools, The Teacher’s College, and action research projects. She earned a Bachelor of Science in Education at Central Michigan University and a Master’s in Educational Administration at Michigan State University.

Interdisciplinary Curriculum: A Union of Disciplines

Notes from the Classroom Oakland Writing Project

Lisa Kraiza and her collaborator, Doug Eiland, were part of a year-long interdisciplinary curriculum writing initiative at Oakland Schools focused on research writing.  Explore their interdisciplinary unit about the Civil War and the other completed units from the initiative.

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croppedLisa&Doug copy

Lisa Kraiza & Doug Eiland, 8th grade teachers at Oak Park Prepratory Academy

The conversation went a little like this:

“Doug, would you like to write an ELA/Social Studies unit together?”

“Sure, what topic should we do?”

“You pick. I can make ELA work into anything.”

“How about the American Civil War?  The kids really seemed into the brother against brother concept of the event.”

“Great! I can work with that…”

Uh, wait a second, I later thought to myself, I only know the bare bones of the Civil War.  And so it began, the great American journey into cross-curricular unit writing. (I would like to thank my brother-in-arms, Douglass Eiland, for taking a risk and jumping feet first into this adventure.  Our students are lucky to have him as their social studies teacher and a role model.)

Doug and I had this conversation in September of 2013.  We piloted our finished unit in April of 2014.  We decided we wanted the outcome of this unit to be: students can see the connection between two disciplines when learning about a topic and understand the broader scope of the Civil War not as just a bunch of battles that happened a long time ago, but as a period in American history that still has repercussions for us today.  This looked great on paper, but there was one major problem.  I, the ELA teacher, barely knew a speck about the Civil War.  I needed to learn as much as I could so I could feel comfortable teaching my students during this cross-curricular unit.  I had to quickly immerse myself in this time period.  And oh boy, did I ever!

We decided that the essential question underpinning the unit would be: what does it take to survive civil war? Once we had gathered all the information and resources we thought students would need, the question became — what do we do with all this?  How would we remain in this cross-curricular mindset and capture the minds of the students?  The answer: student learning centers.  There is so much to learn and know about the Civil War that it could prove overwhelming for both us as teachers and for the students.  So our plan was to introduce the Civil War in a joint teaching session that involved student learning centers.  We broke the Civil War material down by type of media, resulting in seven different learning centers:

  • Trade Books
  • Photography
  • Poetry
  • Film
  • Trading Cards
  • Political Cartoons
  • Writing
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students learning collaboratively at a learning center

There was a task to complete at each center and students had a recording sheet (click here to see an example).  They would receive a grade in both social studies and ELA for their work.  At the end of the two-day session, students completed an exit ticket to reflect on their introduction to the Civil War.  It was thrilling to see students so engaged and curious.  We received many tickets with “a-has” and “this makes sense.”  After Doug and I high fived each other, we went into our classrooms to answer the students’ questions with our respective lessons.

So now what?  How would Doug and I come together to summatively assess what the students would learn in this unit?  The answer came in the form of a multimedia presentation on a Civil War personality.  Each student was assigned a person on day one of our unit.  These figures from the Civil War came from all walks of life, famous, infamous or long-forgotten.  We had a balance of Northerners, Southerners, military personnel, and folks on the home front.  Students were to present to their peers a study of how their person survived, or did not survive, the Civil War.

We allowed for joint research time, supported students in finding and using sources, and encouraged collaboration.  Students presented to both their ELA and social studies classes and again received double credit.  We had some amazing presentations!  Students became their Civil War personas.  They connected to the war on an emotional level and were able to see that that choices these historical figures made were not as simple as they had once believed.  We saw increased pride and motivation in our students to do a good job.  This wasn’t always the case with traditional “final” projects.  Lastly, students developed a clear vision of how social studies and ELA can live together in their minds.  There were many light bulb moments for our students.

croppedLisawithstudents copyThis experience showed me and Doug that it is imperative for disciplines to collaborate.  Neither of us could have gotten the quality of work the students produced had we done this separately.  For the first time, students were seeing exactly how the skills they learn in their individual classes apply to all classes.  They were developing skills–research skills, presentation skills– not just memorizing facts and figures.

And we learned that it is okay to have students see their teachers try new things.  It is okay to “share the spotlight” and lean on other educators to fill in gaps for us.  True collaboration is honoring what the other person brings to the table, and Doug and I feel that we 100% honor each other as professional educators.  Of course, there are many small items that we will change or revisit in this unit, but the overall meaning and intention of the unit was met with vigor and enthusiasm.

Let the Union prevail and in the words of the great Abraham Lincoln:

“Always bear in mind that your own resolution to succeed is more important than any other one thing.”

LisaKraizaLisa Kraiza teachers eighth grade English Language Arts at Oak Park Preparatory Academy.  She is also a member of the Core Leadership Team of the Oakland Writing Project.

Students: I Am Not Your Audience

Literacy & Technology Notes from the Classroom Oakland Writing Project

178742843Several years ago, I went in search of an audience for my students, although at the time I didn’t know that was what I was up to. I’d seen enough student writing to know I wasn’t doing something right in my instruction. My students were smart, interesting and capable of all manner of argument, but their writing didn’t reflect that. However, they were willing to risk suspension by breaking through the district’s internet firewall to reach sites like Myspace and Facebook where they wrote (Wrote!) about things they cared about in ways that reflected their personalities. This was what I was looking for. So I started a website where my students and I could build on the conversations we were having in class, and they could write in the same way they wrote on social media sites. I envisioned a free flowing forum of ideas and enthusiasm, a place for authentic voices like I’d seen on Facebook and Myspace, like I’d heard in my classroom. Yeah, I was wrong.

Our website quickly became a place where my ideas went to die, or where students would respond to my prompts as if they were short answer questions, writing in a dull, mechanical, and predictable way.  I asked for modern examples of  Holden Caulfield thinking I’d inspire students to write about alienation but got lists of “bad boy” actors and links to a band called “Holden Caulfield.” In my students’ defense, that’s how I wrote the prompts. They were prescriptive and came from my ideas about what the students should find engaging. Every now and then we’d spark a little discussion–but not really. The site was more of a bulletin board than a forum. Still, I was determined to use this new internet realm for something.

181407018This all happened at the turn of the century, but the idea of 21st century literacy wasn’t on my radar. I wasn’t thinking about how drastically teaching reading and writing was going to be impacted by the World Wide Web. I just wanted to be in on what was happening.  Though my first failures did send me in a new direction. My students were using platforms like MySpace to say things about themselves, to give their opinions, and to challenge each others’ ideas. It was entirely social, but what they were doing was writing, sometimes with letters and words, sometimes with images. But it’s all text, and that’s what drew me in. So I tried again.

Dipping  my educational toe into social media in a few places didn’t bring  much success. Individual blogs I had my students set up felt isolated and formal. I gave them assignments to be completed on the blog, which they treated like electronic paper. The writing didn’t change much, but they were more careful and deliberate with their work. Discussion boards or chat rooms were too fast and too informal. They were conversational in nature and didn’t leave my students time for a carefully considered response. They had to get ideas out quickly or be left behind. Still, I had little glimpses of what I was after: a sustained and thoughtful conversation in writing and images. But when this occurred, I didn’t know why. I didn’t know how to recreate it.

What was the difference between what I was doing and what I wanted? The answer is audience. I hadn’t been aware of just how much weight audience carries. When I was the audience, even the perceived audience, it changed 128930844the way my students wrote. Their voices faded. Those few times I did manage to spark something good–thoughtful, honest writing with authentic voices about a text we were looking at–then their writing became self supporting. Students abandoned me as audience and wrote for each other, fed off each other and it had very little–actually nothing–to do with me. In fact, I was very careful not to enter into the conversation because as soon as I said anything, their writing changed course and was directed at replicating the thing I’d praised. The writing even changed when students knew that I was lurking but not writing anything.  Many of them would lose the nerve to be the writers they really were. It didn’t matter that I told them that their audience was each other; my mere virtual presence changed how they wrote. When I became their audience, they tried to write like students. But when their audience was other students, they wrote like writers. They had more confidence, took risks, and tried to engage the each other. In short, they did what writers do.

Encouraged but still confused, I went looking for a platform that allows the immediacy of a conversation but encouraged more thoughtful and deliberate writing. A couple of years ago I came upon Tumblr.com.  At the time, it was a kind of hybrid hipster blog with lots of art and music. There was plenty of careless writing, but there were also blogs with very good, clearly professional writing. I started by following blogs on Tumblr that both interested me and fit with what I wanted the students to see like Blake Gopnik On Art,  The Paris Review , The Nearsighted Monkey. These blogs are all clearly written for a specific audience–Tumblr users–and decidedly too cool for most of my students and their teacher. That’s was part of what I was looking for. I wanted to connect my students to a fairly sophisticated audience in hopes that they might adopt the characteristics of that audience. (I was wrong about that but not for the reason I thought. That’s grist for another post.) Tumblr looked promising enough to try, so I set my first class loose.

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11th grade post on “what is art?” Click to read.

I traditionally assigned some kind of evaluative essay where the students had to make a case for including something in the curriculum or extolling the virtues of a new technology. It was an okay assignment. It let us look at different ways to advance an argument, what counts as evidence, warrants–all of the things I wanted my students to learn. The essays were fine but lacked passion and voice because they weren’t writing about anything they really cared about, and they weren’t writing to anyone they cared about. It was an exercise to them, nothing more. Why work hard when they didn’t care about the subject or the audience?

With this question in mind, I asked student to find examples of and talk about what they thought was art (hanna art, animation). And I turned them loose in the Tumblr world. They followed, promoted and wrote about things they liked. Things they were interested in. As I watched voices emerged, I learned what my students were interested in and why they liked what they liked. I saw arguments. I saw rhetoric in action. I saw some real writing and I heard authentic student voices.

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11th grade post on “what is art?” Click to read.

Why did Tumblr work?  The audience had changed. Students were writing for themselves and trying to write in ways that would attract attention from other writers and readers in that world. This was three years ago, and I was just starting to think about how the ways that students will read and write is fundamentally different than how I read and write thanks to the new media world. That first year I took what my students did on their Tumblr blogs and kind of wedged it into an existing curricular format. It wasn’t a great fit and moving from the blogs to an essay cost them some voice, or the tone was too casual for the classroom. I didn’t do a good job of explaining how a change in audience or situation, let alone both, required some serious rethinking of rhetorical strategies. It’s an ongoing conversation I have with my students. We talk about…

  • What are the characteristics of the platform and how do we adapt our writing to fit its conventions?
  • Is the platform the same as the audience?
  • What counts as evidence in a setting that seems to demand visual arguments?
  • How do we warrant and cite a picture? A video? A gif?
  • How can I make my writing stand out?
  • How do I grab the audience’s attention and then hold it long enough to engage them in my writing?
  • What kinds of arguments hold sway with this audience?

These are all very good, important questions that deserve serious consideration. I can’t answer them now. I usually turn the questions back at my students. They are the experts, the digital natives whose interest drew me into this world in first place. I have 20th century knowledge. They have 21st century experience.

I have only just begun to really consider what students writing in the 21st century might require  of me as a teacher. It is exciting and a hot mess. How do I manage all of this? Evaluate it? Channel it?  The Tumblr experiment continues into it’s third year. I’m a little more sure of what I’m doing–a little. In my next posts, I’ll share more about what’s going on–successes, failures and everything I learn.

RICKRick Kreinbring teaches English at Avondale High School in Auburn Hills, Michigan. His current assignments include teaching AP Language and Composition and AP Literature and Composition. He is a member of a statewide research project through the Michigan Teachers as Researchers Collaborative partnered with the MSU Writing in Digital Environments Program, which concentrates on improving student writing and peer feedback. Rick has presented at the National Advanced Placement Convention and the National Council of Teachers of English Conference. He is in his twenty-third year of teaching and makes his home in Huntington Woods.